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The angel

The angel
(Ms. 45)
Director: Abel Ferrara
Production: USA
Year: 1981

Genre: Mission

A self-destructive frail and timid dressmaker suit, after a double tremendous violence, becomes a ruthless killer and neutral men, in a narrative style magitrale, painfully lucid, visionary and cruel, that sa tremendous alternate punches to the stomach and disturbing influences of sex, perversion and religious symbols, enhanced by grinding and mellow music at the same time and absolutely perfect all the shots.

Attractions (see the "little masterpieces unknown") .

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Maria bestia e dio caprone*

Warning, the parts of this intervention will be divided into numbered lists, bullet, square, with a handful of salt, a little olive oil and red onion on the Macintosh (sub-Saharan region known for its fruit hemophilia, then white ). Mix a little and throw everything down from the balcony.

1. That rises to the ass that puts it, allows me?

year as I do too many good wishes before, only a questinoe marketing, to be already there when someone searches for "New Year 2011" or "lastiminute new year" or even "last minute of the cock." Also because I wonder, congratulations for what? What is there to celebrate? We are more and more ignorant and less able to give meaning to our lives. Times when, for Juno, maria beast and god goat!

There is no use to print more books, write or read, for the good of the world would Required reading for those who do not read books. Certainly would avoid illiteracy (back from where? The last minute New Year's maybe) and probably the ministry of cultural heritage entrusted to Puppitinniu Culu Rosa, Sandro Bondi RutelliUrbaniButtiglione and other people just to make some dissonant and bad names. We could call the Teddy Bear, father.

2. Imperialism and capitalism are different words but have a similar emphasis

If the phrase, cheeky and saucy, it had been delivered by any philosopher or politician assumed the role of political philosopher or with balls, it would certainly have been defined as a pearl.

You motherfuckers give me only instead of pork. E Porco do it myself when I say sant 'God!

3. The roulette of Ideas

Yes, because after a lifetime of collecting the best and brightest ideas in the belief that this world of mindless it was eagerly seeks to reinvent the wheel and I understand that ideas, just do not count a beloved bean. ideas begin to have a weight after the fifth quarterly consecuitvo where there are substantial increases in the capital, around 6-7% at least. Sometimes even that is not enough, because the system is a world unto itself, and men are an integral part, so the ideas are not attributed to just one, but to all those human beings. This sounds at times disheartening.

4. The trailer of the goddesses

It 's a good title for a B-movie pornographic amateur with a social theme, you can very well identify with the "social object" the caravan.

5. Much ado about nothing

How many of you may know, or do not know, maybe nobody is interested, happy and carefree in my village have an attack. In comparison, on September 11 and November 22 [Dallas] are trifles.

headlines on newspapers, on television, as police were Easter (Pasqua!? Petrelli raving but what the hell?), Pictured right and left, we missed that too. The only bombs are those of the print paper, which raised the glories of the national news two detonators and an inscription on a wall. We talk to political, anarcho schizoid, digital assholes or something. I say this with all the leaguers who read my blog (according to Occam anyone leaguers and read the words do not marry very well together) that does not justify such a silly, but I have more good reasons to believe that silly little or more.

6. Hyperbolic deofili

* To prevent causing further injury (in addition to my person) to the believers, regulars of this blog, titolola word god is deliberately lowercase, to avoid confusion: the divinity that is not specified, that God could be anyone.

journalist who "rides" the "news"

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Paranoid Park (Paranoid Park)
Director: Gus Van Sant
Production: USA v France
Year: 2007

Genre: Crisis adolescent

The decision to use minimal means of expression is ideal to capture the nuances of a world Youth isolated and impervious to any real contact with the adult and can project directly in the center of the discomfort of families scattered and absent when a terrible fate and the weight of its consequences end up hopelessly crush a young skater like many others, in a like so many cities.

Worth a view.

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THE PARANOID PARK TOURIST

THE TOURIST
(The Tourist)
Regia: Florian Henckel von Donnersmarck
Produzione: USA / Francia
Anno: 2010

Genere: Amanti in fuga

Dopo i primi cinque minuti di comicità per niente involontaria, una volta scampato il pericolo di prendere sul serio qualcosa che non lo è e non vuole esserlo, ci si può rilassare con una commedia amorosa che fa finta di essere una caccia al ladro, con la polizia che usa i propri i mezzi e l’assassino derubato i propri un po’ più brutali, in un racconto sempre al confine con la sciocchezzuola ma che qualche sorriso in the end if it wins.

avoidable.

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ABOUT SCHMIDT


About Schmidt (About Schmidt)
Director: Alexander Payne
Production: USA
Year: 2002

Genre: Balance hopeless

The personal crisis and misadventures of a newly-retired (and neo-widowed), on the eve of the wedding of the only daughter, they create a story for long stretches unnecessarily depressing and rather uninteresting, confusing the realism and the grotesque that not even the 'only really touching moment, in the very last scene, unable to lift, really coming out of time and leaving all too open.

avoidable.

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GOMORRAH

GOMORRAH
(Gomorrah)
Director: Matteo Garrone
Production: Italy
Year: 2008

Genre: Organized Crime

The five stories are just examples, glimpses of a world that desperately dismally from which only a lucky few manage to escape alive, and thanks to a story at the same time can not impose a point of view, but keeps an eye compassionate for victims, more or less conscious, with this look human and without rhetoric miseries e le tragedie trovano il modo di colpire anche le coscienze più anestetizzate.

Allo stesso tempo rimane finzione letteralmente spacciata per realtà, buttata lì in maniera apparentemente casuale, emozionalmente gelida ma capace di scuoterci e proiettarci sempre al centro di tutto questo degrado, tutta questa desolazione e violenza, direttamente nel mondo della normalità del male, in cui non trova spazio nemmeno la speranza perché non esiste “altro” a cui poter tendere la mano, senza che così possa essere mai sciolta l’ambiguità degli occhi che questo mondo lo osservano e raccontano.

Da vedere (per uno sguardo finalmente diverso sul “bel paese”)

Nota finale: dopo una nuova visione e dopo aver recuperato quasi tutti i film di Garrone, ho rivisto/corretto in chiave ancor più positiva il giudizio complessivo. Come sempre, una seconda visione a un po' di distanza dalla prima, e l'approfondimento dell'autore, si rivelano fondamentali.

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SHAOLIN SOCCER

SHAOLIN SOCCER
(Siu lam juk kau)
Regia: Stephen Chow
Produzione: Hong Kong / Cina
Anno: 2001

Genere: Follia calcistica

Ognuno ha qualcosa da riscattare, umiliazioni passate e piccole e grandi tragedie personali ma tutti insieme possono formare una squadra imbattibile dalla volontà di ferro e dalla tenacia indissolubile, tutto ciò che rende davvero pregevole un'esilarante e fantasioso torneo calcistico, perchè oltre alle mirabolanti e spettacolari peripezie dei protagonisti, che mischiano in maniere assurde arti marziali e tecniche calcistiche, ci sono anche momenti di approfondimento dei personaggi, permettendoci di ridere sguaiatamente e anche un minimo di appassionarci alle loro molteplici vicissitudini umane.

Merita una visione (ma solo in versione originale!) .

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THE EVIL DOCTOR SATAN

IL DIABOLICO DOTTOR SATANA
(Gritos en la noche)
Regia: Jesus Franco
Production: Spain v France
Year: 1962

Genre: mad doctor

In a French national of a former prison doctor becomes a vicious murderess to help find a cure for his daughter disfigured, and this is just the starting point from which life takes a dark tale that cleverly dispenses light and shadow and ends up exploring, despite its apparent simplicity, the various forms of love, the one between father and daughter, between the inspector and between the dancer and the deformed monster and the girl out of pity, until the final time classic as effective.

For genre fans (better This remake of the same Franco) .

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Let

Let
(Lat den Ratte Komma in)
Director: Tomas Alfredson
Production: Sweden
Year: 2008

Genre: Impossible

aside the few details that remain outstanding and some straining too much, what remains is a tender love affair between a twelve and a girl who feeds on blood and that of the twelve year old has only the appearance, but there is also enclosed all the 'anxiety about a condition that is not possible to escape and at the same time difficulty of the real boy to grow in a world that is hostile, in a story capable of showing, through oblique angles and hanging lights, the ugliness and the wonders of life.

Worth a vision (a vision of the rare attempts to escape with a decision of approval) .

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24 HOURS AT SCOTLAND YARD NOT

24 HOURS AT SCOTLAND YARD
(Gideon's Day)
Director: John Ford
Production: UK
Year: 1958

Genre: Fighting crime

Everything One day, a normal working day, from awakening to morning until late at night, only that it is a chief inspector at Scotland Yard and then a succession of interviews, chases and crimes of all sorts, in a story that intersects with a light touch and a lot of fun, the life police officer with that of husband and father, but could condense all in or to build strong emotional moments memorable characters, so that everything ends up slipping away without too much trouble, but also without too much involvement.

For fans of Ford.

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FOR MONEY ...

not for money ... BUT FOR MONEY
(The Fortune Cookie)
Director: Billy Wilder
Production: USA
Year: 1966

Genre: Cheating and feelings

The characters are all, by-law attorney, trafficone , unscrupulous, deceitful to the ex-wife for money, and of course the dazed protagonist accepting, very reluctantly, only to pretend to be invalid for love but in the end can only give honest, thanks to the example of a football player a bit 'naive and very honest, and as the expectations writing is lively and calibrated, though this time the gags are lower than usual and the fun is not always very high, however, counterbalanced by una sotteranea critica sociale che non risparmia niente e nessuno.

Merita una visione (lo so, con Wilder si tende immancabilmente a essere ripetitivi) .

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MONEY BUT FOR GOD OF ANOTHER YOUTH

UN'ALTRA GIOVINEZZA
(Youth Without Youth)
Regia: Francis Ford Coppola
Produzione: USA / Romania / Francia / Italia / Germania
Anno: 2007

Genere: Vite impossibili

Tra la rinascita e la morte del protagonista si dipanano oltre trent’anni di storia umana e personale, quest’ultima costellata di eventi miracolosi and inexplicable facts, and even if the end of the Second Life seems to end with the same failures of the first, loneliness and unfinished work, and what has changed is the awareness and the strength of their choices, for a story cryptic and difficult to understand but realized with absolute warmth and fullness of its means of expression.

Worth a vision (even if it is a vision is certainly not easy ) .

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Cookery

GOD OF
Cookery (Sik san)
Director: Stephen Chow / Lik-Chi Lee
Production: Hong Kong
Year: 1996

Genre: Humor culinary

inconceivable stupid and insanely brilliant ideas alternate with hyper frenetic pace nell'irriverente story of the rise and fall of the notorious the Kitchen God, his petty swindles miraculous rebirth spiritule, however, understood that The first is that the latter are equally funny in the end, and even if the cultural distance makes us stay with the impression that there is a lot that escapes us at the end the purpose of entertainment is easily achieved.

For fans of the genre (and Chow) .

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Fiducia

Trust, the word today that he smashed the balls and warm hopes of democracy more than an Italian. To be honest, I'm glad how was your day: what really interested me in the Dec. 14 national sledge "magically" in January at the international level but I'm happy for the release of Assange. On bail, under house arrest (with the bracelet electronical), a Pyrrhic victory short, but with you, Julian have already won. Unless they bombardino servers WL and kill the complex network of geek behind the largest source of scoops by the Archangel Gabriel to the present. I open a brief on the Archangel Gabriel and as it once did not exist the concept of "check sources", so all in all is not so strange that this story has taken hold. A bit like the myth of the blindness of Onan.

Back to other more serious trouble: Berlusconi and trust. But above all, self-reliance, as a concept extemporaneous; in Italy at the political level this day, December 14, 2010 teaches us, once again, as always is misplaced: the voters who voted for Berlusconi, hoping that something would change or do not understand what happens (it must be said in their defense that nature has not been too kind to their CNS) or freely read, or have misplaced their trust. Of those who did not vote against Berlusconi, first put its trust in the hands of people like, say, Alfonso Pecoraro Scanio, Massimo D'Alema, Piero Fassino, Sergio Cofferati, Sergio Chiamparino, Francesco Rutelli, not hoping that something good per l'Italia facessero costoro (ah come puzzo di retorica stasera !), ma sperando almeno di arginare il nano, cosa che solo il pacioccoso democristiano è riuscito a fare.

Ma soprattutto mi chiedo come sia possibile aspettarsi che oggi saremmo usciti da un incubo, con la bacchetta magica. Con un voto di sfiducia far tornare (beh tornare è una parola grossa) la democrazia in Italia. Beh è un pensiero piacevole nel quale accoccolare gli alvei più reconditi del proprio cervello, tuttavia non ci si stupisca poi se la gente vota ancora PD !

In un Sistema così complesso e rodato da anni e anni di schermagli grandi e piccole, campagne mediatiche, Trading (not only of senators), kickbacks, flags really wasted time and money illusion that we all end up like that, suddenly, almost overnight? With a fascist lazy and accommodative and four lawyers who feel funny to challenge the master?

The screams and the shots are just noise. Strong enough to cover a discussion on the future of the country, which is more uncertain than ever, and nobody can say otherwise without extracting a confidential document, a surety or a gun. And among all the things that could hurt us, of all the facts which might make news, between the poor bastards car burned in the streets (and the financial police vans that with our hard-earned we pay taxes), sacrificed on the altar I know not what barbarous deity of democracy, just pulled a gun. And that news would have a man beaten up trying to defend itself as it can? In the grip of fear and adrenaline, I do not condone his act of intimidation (although it would be to check the context), however, not escaped even the dead and we take a drag in Kobarid media due to a curious photographer and journalists approximate . He had the same right that the boys had to put fire to the city of Rome, 'Urbe. I dispute that, saying he has a moral, ethical and legal action against the state. But my dear, we have all that obligation, if not contract, ethical and moral, is not it, because the state is us, and until we decide to be others decide for us and we will do nothing but complain.

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Infattamente

Democracy is a word that deceives us, the people, the demos never power. The power is held (hostage per hour) from a ruling class tired and incapable of new impulses to which Berlusconi has been balanced, down in the field sixteen years ago showed that his power gradually increases the difference between an old policy (assumed that the coalition) and Berlusconi, who, alas, we all know. Not only would be useless to an alliance of political forces outside the PDL, it would be harmful. Bad for whoever loses the elections, such a coalition in case of victory, it would shatter in no time at all. Bad for the voters, that it would come out once again frustrated. Bad for Italy, whose system is an extremely precarious balance. The truth is that it would need a more even distribution of power, balanced by a political system that integrates as the highest legislative and executive power, the European Parliament, and this choice, apparently wicked, allow for easier management and a range of more stringent economic choices. It makes no sense a coalition against Berlusconi, in ultima analisi, perchè la nostra visione di "democrazia" è basata sulla figura dell'elettore, dobbiamo diventare CITTADINI. La politica ora si batte per le briciole, noi dobbiamo cambiare il mondo.