Peter Pan the Musical, review of Beatrice Tassinari You're never too old to dream ... It 'something I've always thought. This belief and the passion for musical theater and convinced me to go see Peter Pan M usical , with music by Edward Jackson, a show that I wanted to see for some time. As luck would have landed that this musical for the third time in Bologna own it the Christmas period, so I bought it immediately the ticket to the matinee on Sunday. It was not easy to reach the venue was celebrated with all the snow that has decided to drop that very afternoon in Bologna, but the cold and discomfort with the buses are worth it. As one afternoon, there were many children and families, but also many large and boys, a finding that has filled me with a pleasant feeling: after all there are still those who appreciate these art forms. When the lights go down, the magi to begin and was wrapped in a fairy-tale, which only enhances the mood and an indescribable sense of serenity that it never hurts to try at this time. I must admit that I did not believe that minimally you would love this show so much. I already knew some of the songs, like the rock of Captain Hook or The Neverland , but I did not know what to expect, considering that there are ways and ways of interpreting a a fairy tale. This presents a musical version of the classic story of Barrie, which in many ways reproduces the animated version of Walt Disney. This does not prevent it from being a performance for large, taking in the foreground one of the themes that Barrie points out in his novel: the importance of imagination and respect of the infantile world of dreams and adventures. But then let's face it, even to grandi fa bene ogni tanto ritornare dentro un sogno, un turbine di colori, di immagini e musica. Ed è proprio di questo che tratta questo spettacolo. La recitazione un po' sopra le righe, la comicità in stile cartoni animati e i movimenti molto calcati e sottolineati non stonano minimamente nel contesto, anzi, lo rendono ancora più magico e speciale. La supervisione artistica alla regia di Bracchetti si not a, soprattutto per quanto riguarda i colori, e le proiezioni tridimensionali con cui siamo catapultati sull'Isola che non C'è. La scenografia è molto accurata, a partire dalla stanza da letto di Wendy, John e Michael, passando per la giungla dove i bimbi sperduti lottano contro gli indiani, arrivando the galleon of Captain Hook. The songs are very engaging and energetic fun, some are in style Jackson. They range from songs like Viva la Mamma to songs are just shooting and adapted specially for the show. It 's impossible not to smile and stand still while listening to Captain Hook decidedly unconventional singing Captain Hook The Rock with his crew of pyre you. If the voice of Jackson personally, I do not always like that, did not allow me to fully appreciate some of the songs, hearing the same songs included in the musical, sung by other singers and context allowed me to reassess their songs themselves. Che dire riguardo agli interpreti? Questo tour vede un cast completamente rinnovato. Nei panni di Peter Pan non troviamo più Manuel Frattini, ora nei panni di Robin Hood, ma Massimiliano Pironti, voce calda e molto a suo agio nei panni del bambino che non vuole crescere. Anche dal punto di vista interpretativo questo ragazzo è molto coinvolgente. La scena in cui Peter si dispera per la morte di Trilly e poi riesce a farla resuscitare con l'aiuto di tutti i bambini del pubb lico (beh... il bello delle favole è anche questo!) è veramente coinvolgente. Credo che tutto il cast sia eccezionale, ma credo che oltre a Massimiliano Pironti, su tutti, meritino di essere citati altri due interpreti: Nicolas Tenerani che interpreta Capitan Uncino e Daniele Carta Mantiglia, nel ruolo di John Darling. La cosa che più mi ha colpito di Tenerani è l'interpretazione: si tratta di un Capitan Uncino quasi moderno, vanitoso, burbero, e comico, reso magnificamente da Nicolas. L'altro interprete che credo meriti una citazione speciale è Daniele Ca rta Mantiglia, il ragazzo che interpreta John Darling, uno dei fratelli di Wendy. Per me questo ragazzo è una vecchia conoscenza, perché è anche nell'Opera Popolare di Riccardo Cocciante Giulietta e Romeo , dove è nel clan Montecchi e ha interpretato Romeo. Già in questo spettacolo aveva avuto modo di dimostrare le sue qualità. E' young and has a deep voice and sensational that gets inside you. Despite some funny moments are not lacking also in a tragedy like Romeo and Juliet, the role of Romeo is very serious. In Peter Pan the other hand we have the opportunity to see this boy dealing with a comic role and totally different. Thus allows him to demonstrate its versatility. Daniel feels good as John and can transmit it from the stage, singing with his wonderful voice, acting and dancing. It 's great to see an artist play roles as diverse and always make optimal levels. The unforgettable scene in which the Indian plea not to kill him. It is even more a pleasure able to meet him before the show, extremely available and friendly despite the cold and snow raged at Bologna, exchanging small talk with him and be able to congratulate in person. We wish you all the best for a glittering career! My opinion on this show so it's very positive, as demonstrated by the well-being and happiness with which you leave after seeing him, having eyes still dancing pirates, the lost boys, Peter and all the characters. n on a show just for children but also, and perhaps above all, for all large, who want to spend a couple of hours in joy, returning children, remember that it is nice to dream and use their imaginations and rediscover the child that "exist" and hides in us when we become "adults."
